GRIFT Västra Götaland County, Sweden
Grift’s ambition is to evoke the mood some people are in great need of; the mood you can’t express through other mediums than music, images, and in some cases even through words. This kind of escapism is about breaking the chains of everyday given norms, and for a short moment becoming a stranger lost in a state of uncertain homelessness. ... more
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Ofte jeg drømmer mig død
by AFSKY
supported by 53 fans who also own “Väckelsebygd”
The cover painting (Udslidt by H A Brendekilde, if anyone is interested) and the music is in perfect alignment. So much sorrow, so much despair... Right from the start I can feel my soul wither away with each riff. Still, towards the end of the record I can catch little glimpses of hope in the melodies. A beautiful journey in the bleak reality of existence.
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Панихида
by Krzysztof Drabikowski
supported by 38 fans who also own “Väckelsebygd”
La traversée du désert n'aura pas duré quarante jours mais quatre longues années... Avec Панихида, Батюшка renaît enfin de ses cendres et, bien que désormais seul (ou plus exactement entouré de deux chanteurs), Христофор accomplit un miracle. Il s'inscrit dans la continuité de Литоургиiа avec un black metal orthodoxe qui nous convie ici à une cérémonie dédiée aux morts. Sa vision est englobante : les mélodies, la gravité et le silence font toucher le paradis ; l'agressivité est luciférienne.
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supported by 37 fans who also own “Väckelsebygd”
Music that has nothing to prove which has not already proved and nothing to expect when there is nothing to be expected and that is so liberating :)
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featured on Bandcamp Radio Jan 19, 2024
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Fire in the White Stone
by Wolcensmen
Lush, moody folk-derived music sure to appeal to metal fans, the latest from Wolcensmen is awash in gorgeous keys & mournful melodies.
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Their Invisible Hands
by Avi C. Engel
A dreamy improv-folk collage from Toronto multi-instrumentalist Clara Engel, who plays cigar box guitar, talharpa, melodica, and many more.
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supported by 37 fans who also own “Väckelsebygd”
Tout est une question de perspective. En regardant la pochette d'Algleymi, on se dira : "c'est un constat d'échec de l'humanité face aux puissances cosmiques". Mais le gigantisme de cette silhouette est un signe que Misþyrming veut plutôt s'emparer de cette puissance et le black metal le confirmera très vite. Il est plus maîtrisé, massif et épique. Si le chant est déjà impressionnant, dégageant plus de haine, les guitares sont de leur côté absolument monumentales. Un chef-d'œuvre du genre !
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